Every harf, every letter, moves with meaning. This is not just a book. It’s a visual form of spiritual dialogue. A dance between doubt and faith. Grief and grace.
But the response, the second half, flips the script.
Here, the book doesn’t answer with rebuke, but with reminder. A gentle, powerful reminder of who Allah is the All-Seeing, All-Knowing, the Most Wise. The very words used to complain are, in fact, dancing (raqs) in praise unknowingly reflecting His greatness.
The first half of the book voices the man’s plea, his sorrow, confusion, and pain. He questions his Lord, wondering where the promised glory went. He speaks of despair, abandonment, and the silence that followed divine promises of greatness.
Raqs-e-Harf — Book Design
The Dance of the Letter
Raqs-e-Harf is a visual book project inspired by the powerful dialogues in Allama Iqbal’s Shikwa and Jawab-e-Shikwa, and Faiz Ahmed Faiz’s Mori Araj Suno. It explores a deeply human conversation, between a man and his Creator.
Next
Previous
Every harf, every letter, moves with meaning. This is not just a book. It’s a visual form of spiritual dialogue. A dance between doubt and faith. Grief and grace.
But the response, the second half, flips the script.
Here, the book doesn’t answer with rebuke, but with reminder. A gentle, powerful reminder of who Allah is the All-Seeing, All-Knowing, the Most Wise. The very words used to complain are, in fact, dancing (raqs) in praise unknowingly reflecting His greatness.
The first half of the book voices the man’s plea, his sorrow, confusion, and pain. He questions his Lord, wondering where the promised glory went. He speaks of despair, abandonment, and the silence that followed divine promises of greatness.
Raqs-e-Harf — Book Design
The Dance of the Letter
Raqs-e-Harf is a visual book project inspired by the powerful dialogues in Allama Iqbal’s Shikwa and Jawab-e-Shikwa, and Faiz Ahmed Faiz’s Mori Araj Suno. It explores a deeply human conversation, between a man and his Creator.
Next
Previous
Next
Previous
Every harf, every letter, moves with meaning. This is not just a book. It’s a visual form of spiritual dialogue. A dance between doubt and faith. Grief and grace.
But the response, the second half, flips the script.
Here, the book doesn’t answer with rebuke, but with reminder. A gentle, powerful reminder of who Allah is the All-Seeing, All-Knowing, the Most Wise. The very words used to complain are, in fact, dancing (raqs) in praise unknowingly reflecting His greatness.
The first half of the book voices the man’s plea, his sorrow, confusion, and pain. He questions his Lord, wondering where the promised glory went. He speaks of despair, abandonment, and the silence that followed divine promises of greatness.
Raqs-e-Harf — Book Design
The Dance of the Letter
Raqs-e-Harf is a visual book project inspired by the powerful dialogues in Allama Iqbal’s Shikwa and Jawab-e-Shikwa, and Faiz Ahmed Faiz’s Mori Araj Suno. It explores a deeply human conversation, between a man and his Creator.
